ناصر کاظمی کی شاعری کا فنی تجزیہ TECHNICAL ANALYSIS OF NASIR KAZMI'S POETRY Section Urdu Literature

Abstract

All of the poetry of Nasir Kazmi is included in these collections "Barg-e-Nay", "Deewan", "Nishat-e-Khwab", "Pahli Barish" etc. The main reason for this is that he was not an externalist like other contemporaries. He is a poet at heart. Despite talking to his friends in restaurants and hotels, wandering at night, commenting on social and political situations and talking to passers-by, he used to spend time in solitude and think about poetry.

Lived in the dark. The recognition of his personality in poetry is different from his biographical personality. Eliot, therefore, has not given any importance to the real personality of a poet. The personality that emerges in poetry, that criticism becomes noticeable in relation to poetry. The personality that emerges in Nasir Kazmi's poetry is a quirky and unique personality. It is beyond homogeneity, uniformity, axiality and monotony, it is a multifaceted, diverse and dynamic personality, it is formed by emotionality, aesthetics, thinking and dreaming.

Basically, love is the driving force behind the colorfulness and vibrancy of Nasir's poetic personality. Love stimulates their creative power. They are imbued with the passion of love but do not separate it from their specific cultural and social environment; despite flying in the skies, their feet remain on the ground. They are suspicious of the distance of the beloved whom they want and long for his closeness, but they are deprived of the closeness of the beloved. As a result of this, they go through sorrow and pain and feel the burning condition of their liver. It turns into longing. In this way love becomes all colors for them. In Hasrat and Faraq, love is limited to leaving the beloved, in Nasir, love turns into the truth of human relationships, passion and attraction, as well as the tragedy of broken heart. Some Technical qualities of  the poetry of Nasir Kazmi has been discussed in this article.