From Anthropocentrism to Ecocentrism: Deep Ecology and Biocentric Egalitarianism in Edward Bond's The Sea

Abstract

This paper adopts Arne Naess' deep ecology paradigm to champion a transformative shift from anthropocentrism to ecocentrism within Edward Bond’s The Sea. Deep ecology envisions an ecological self that practices biocentric egalitarianism, recognizing the inherent equality of all natural entities. The Sea strikingly portrays the turbulent interaction between humanity and nature, with the sea's immense power symbolizing nature's indifferent majesty. Collins' journey of self-realization reflects deep ecology’s imperative to harmonize one's potential with the broader biosphere. His eventual embrace of the sea's dual nature—both turbulent and tranquil—represents a profound expansion of his ecological self, where he acknowledges his role within the intricate web of life. Conversely, Hatch epitomizes the destructive fallout of an anthropocentric worldview, marked by delusion and chaos. This paper elucidates the complex interplay between human existence and the natural world, highlighting The Sea’s cautionary message about the need to restore environmental balance by addressing the harm caused by (in)human actions. It advocates against the practices of ecocide and promotes biocentric egalitarianism as a path toward ecological harmony.