ڈاکٹر خیال امروہی کی شاعری میں صنائع بدائع کا خصوص

Abstract

                        Dr. Khayal Amrhovi is one among the most prestigious poets that came in prominence in the late 20th century. He was associated with the progressive movement. He raised his voice against the systems of feudalism and capitalism throughout his life in his poetry. He always resisted against the persecution and unequal distribution of wealth through his creative writing. His poetry has achieved a significant position because of its intellectual and artistic elements. The present article highlights the concept of tropology (Sanae and badae) in the poetry of Dr. Khayal Amrhovi. Ilm e badeeh is the science through which attempts are made to describe the ways to enhance the delicense in the process of communication. The attempts are made to embellished the process of communication at both literal and semantic levels. Therefore, ilm-e-badeeh is also defined as a combination of both wordy topology (Sanae lafzi) and semantic tropology (Sanae manvi). In Eastern poetry Ilm-badeeh has attained a special significance along with rhetoric ('ilm-e-bayaan) These sciences are studied separately for comprehensive understanding, but dealt in collectively in the process of communication. The use of these terms provides a comprehensive impression in verse. If we talk about the literal and semantic features of the word tropology then it refers to the delicate and skillful and figurative use of words. These qualities of words make the word pleasant and adds to the semantic features of the poem. This article traces both literal and semantic tropology in the poetry of Dr. Khayal Amrhovi.